My practice is grounded in painting, moving between abstraction and figuration as a single expressive language.

 

I approach painting as a physical and emotional field, where images emerge, dissolve, and re-form through material processes. At times the work leans toward abstraction, emphasizing gesture, surface, and rhythm; at other moments it becomes figurative or expressively naturalistic, allowing the image to surface without fully stabilizing.

 

This oscillation is not a shift in style, but a method of inquiry. I am interested in moments of tension—between control and vulnerability, visibility and erasure, structure and collapse. Painting becomes a site where these states coexist.

 

Alongside painting, I occasionally work with installation and sound elements, extending the pictorial space into the physical and temporal realm. These elements function as expansions rather than departures, reinforcing painting as the core of my practice.

 

My work develops through long-term processes, building bodies of work that reflect continuity, variation, and sustained attention to material and image.

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